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Local Alternatives
re-imagining urban histories and futures with children and young people
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sensing sound
sonic intensities
register on the surface of the skin
sound is eventful
my skin response gets stronger
when I wear earplugs
and walk down the stairs
it feels weird
using your body
to (un)think sound
sound moves
through walls
and bodies
and coat hangars
and pieces of string
resisting the tendency for language
to overcode the sound field
and then letting it do so
and also right before
I'm about to speak
without a word
a rhythm begins
and circles around the balcony
and down the spiral stairs
when I strap the camera
onto my chest
I feel like Ironman
what does fluorescent yellow
sound like?
the listening body
is a molecular society
multiplying connections
inhabiting and creating
its environment simultaneously
acoustic space is potential
yet causally efficacious
the welter of occasions
pressing on the sk(e)in
of the sound field
the listening body is
a vibrational body
an acoustic body
a rhythmic
an atmospheric body
a sensing body
a blur and a smudge
sonic resonances
traces and hauntings
of immediate
and not so immediate
futures and pasts
activating the sonic imagination
and rhythm moves us
when we wear bells on our shoes
and walk through Hulme park
we want to listen to the art room through Jello
and use red balloons to disrupt the university
and bang on the gates of our school
with long cardboard tubes
and scrunch our feet on the sidewalk
and listen to creatures deep underground
and Stretford road when you cross it
sounds different at night
the questions of what we might listen to
and where we might go
and our memories of places
and imaginings of sounds
become lures for the next sound walk
the distant murmur of voices in the classroom
a mixture of talking and shouting
and the sound of the teacher sitting alone
marking our work after school
I hear noise
in every direction
lots of crunching leaves in Hulme park
cars, planes, birds, and buses
mapping the sound walks
projecting Hulme on the wall
we become part of the map
we step into it
sound becomes pedagogical
as it moves us
towards co-attunement
David Rousell (Biosocial Lab, MMU)
Michael Gallagher (Biosocial Lab, MMU)
Mark Wright (artist in residence, MMU)
Suzanne Smith (Z-arts)
Z-artists (age 5-11)
collaborators
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