Sensing, thinking, and making
Local Alternatives explores the transformative agency of the environmental arts in responding to the onset of climate change, biodiversity loss, and the digitisation of urban spaces. It offers a platform for cultivating the environmental arts across international cities, including the experiences of children, young people, artists, designers, educators, curators, policymakers, and urban citizens from all walks of life. Our creative experiments are ongoing and open-ended, often led by children and young people's sensory investigations, concerns, and imaginings of their local environments. We are interested in how the environmental arts can contribute to creative community responses and adaptations to global environmental challenges at the local level. We co-develop and co-produce this work to feed into public exhibitions, social interventions, future projects, collaborations, policy, and networks.
Emerging Technologies in Urban Spaces
How do emerging technologies help us generate new kinds of environmental art, research, and education in urban spaces?
Our creative experiments explore how 21st century digital technologies are reshaping our shared urban environments. We are interested in exploring technologies that sense the city outside the bandwidth of human perception. Digital sensors can pick up aspects of the environment that would otherwise be invisible to us, such as micro-pollutants in the air, or the body's unconscious responses on the surface of the skin. 360 video cameras and mixed reality provide new perspectives on the spatial practices and environments of the city. Immersive artworks, installations, and social interventions can invite urban citizens to experiment with sensory technologies in public spaces.
How does art shift our sensation of time and the feeling of a shared atmosphere or climate in urban gallery spaces?
We are developing an ogoing series of public exhibitions based on our work in the Local Alternatives project.
Our first exhibition, called Superpositions, was held at Birley Art Gallery in July, 2018.
Remixing Thick Time opened at the Whitworth Art Gallery in May, 2019.
Inheriting the Anthropocene opened July 18th, 2019 and ran through March 2020 at the Manchester Museum.
David Rousell (Manifold Lab/Creative Agency Lab)
Liz de Freitas (Manifold Lab, MMU)
Michael Gallagher (Manifold Lab, MMU)
Mark Peter Wright (resident artist, MMU)
Laura Trafi-Prats (Manifold Lab, MMU)
Riikka Hohti (Manifold Lab, MMU)
Maggie MacLure (Manifold Lab, MMU)
Anne (Dan) Harris (Creative Agency Lab, RMIT)
Kelly Chan (Creative Agency Lab, RMIT)
Anna Hickey-Moody (Creative Agency/CRIMP, RMIT) MPavilion, M_Curators (Melbourne)
Jett Janetzki (M_Curators, Melbourne) CERES Community Environment Park
Mycelium Studios (Melbourne) Andrew Goodman (La Trobe University)
National Gallery of Victoria Michele Stockley (NGV)
Catharine Cary (RCA, London) Andreia Penaloza Caicedo (RMIT)
Aviva Endean (independent artist, ArtPlay) Justin Marshall (independent artist, ArtPlay)
Local Alternatives has been funded through the Creative Agency Lab (RMIT), Manifold Lab (MMU Strategic Opportunities Fund), a Research Accelerator Grant (Research and Knowledge Exchange, MMU), a Researcher Development Fellowship (MMU), Leverhulme Artist in Residence Grant, Säätiöiden Post Doc Pool (Finnish Foundation), and in-kind contributions from Z-arts, the Whitworth Art Gallery, and Manchester Museum.
We are also connecting the project internationally through partnerships and exchanges with ITU Copenhagen, Roskilde University, Andromeda Gallery, University of Barcelona, University of British Columbia, the Tapies Centre, and the SenseLab at Concordia University.
Suzanne Smith (Z-arts)
Z-artists (age 5-15)
Whitworth Young Contemporaries (age 15-25)
Hannah-Lee Chalk (Manchester Museum)
Sally Thelwell (Whitworth Gallery)
Rabia Begum (Whitworth Young Contemporaries)
Jonas Fritsch (ITU, Copenhagen)
Kristine Samson (Roskilde University, Copenhagen)
Signal and ArtPlay (City of Melbourne)